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a new science,

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founded by Professor Edmond Bordeaux Székely.

THE WORLD-PICTURES OF THE ANCIENTS

In the half-forgotten ancient civilizations of the Old and New Worlds there existed world concepts and world intuitions which went far beyond the knowledge of modern man. These world concepts were the basic inspiration of the great cultures of the past. They gave to ancient man an understanding of life which has been almost lost today.

It is possible to reconstruct the meanings of these ancient world concepts with scientific accuracy and philosophical intuition from archeological findings which have been made, in some instances, within relatively recent history. This application of philosophy to archeology is a new science. It is called Archeosophy.

Its basic purpose is to bring the intuitive world synthesis of the ancients to the use of modern man. Ancient man saw life as a direct opposite to the world's present chaos, with its analytical speculation. The intensity and integrity of life recorded in those early times is in sharp contrast to the extensity and disintegration of modern living. The natural ethico-philosophical culture of integral values attained by those early peoples is very different from our modern mechanistic, technological civilization, the pseudo-values of which point toward the age of individual neurosis, profound sociological problems, and even thermonuclear destruction.

But archeosophy goes beyond even this.

Etymologically the Greek form arch has three meanings. In combining form archaeo-, it signifies ancient, as in archeology. In the prefix archi- it means chief, most important, as in archbishop, archangel. As arche-, it means first, original, as in archetype. The term "archeosophy" utilizes aU of these meanings. It deals with wisdom that is ancient; with the wisdom. that came first, in the beginning; and with the wisdom that is most important.

If we travel back from the present through previous ages we come upon several significant landmarks. Contemporary languages are the starting point. These languages are a series of sounds, symbolizing and communicating ideas, represented by alphabetical systems which are in themselves only irrelevant signs. All this is a very abstract and confusing way of expressing knowledge and of interpreting wisdom. These languages, consequently, have given forth hundreds and hundreds of contradictory philosophies.

But if we go back farther, through thousands of years, we come to the first important landmark: the few great masterpieces of ancient thought. As we study the Bible, the Precepts of Pta Hotep and the Book of the Dead of ancient Egypt, Lao Tzu's Tao Te Ching, the Four Books of Confucius, the Upanishads and the Vedas of India, the Zend Avesta of Zarathustra, a significant fact becomes apparent. The farther back we go chronologically, the fewer are the contradictions between the different schools of thought.

When, finally, we examine the earliest of these great masterpieces, the Zend Avesta and the Vedas, we find teachings which are in entire accord with each other, teachings which have created extensive civilizations and cultures, influencing the way of life of hundreds of millions of people within these cultures. We find that the teachings are in harmony because they reveal the laws of life, of the universe, and of man, laws which are the same now and two thousand and eight thousand years ago. They are in harmony because they have come down to us in their original simplicity and clarity, free from the shackles of schools of thought, the dogma and petrification of institutions and movements and organized religion. Philosophy can go back to these earliest teachings and attempt to reconstruct the basic intuitions which brought them forth. And that is all it can do.

In the present age, sterile antagonisms and disputes between the different religions and schools of thought are based on artificial contradictions. Their arsenals of arguments do not go back to the original sources, but rely on commentaries and tran~ations of these great books, in which the original meaning is often distorted or lost in a confusion of words. It is a great step forward, therefore, to go back to the original sources and clarify the ideas in both philosophy and religion. The most important achievement of philosophical inquiry is this clarification of ideas and the elimination of contradictions by a return to the original intuitions of life and of the universe as given forth in the Avesta, the Vedic world conception, the Upanishads, and the ancient Chinese and Egyptian philosophies.

But archeosophy is an attempt to go far beyond this philophical reconstruction. It attempts by means of scientific methods to go back farther than those few basic books which had such an enormous influence on the history of mankind.

An analysis of these great books of mankind makes it apparent that they themselves were preceded by centuries and sometimes by thousands of years of philosophical ideology. They represent a certain point in the evolution of man and are actually a synthesis of previous traditions and cultures. The Zend Avesta, for instance, is a synthesis and encyclopedia of still earlier Sumerian traditions. The Vedas are the codification of unwritten teachings handed down through previous centuries.

Archeosophy tries to go back chronologically and analyze the organic evolution of the ideas and ideologies which precede these great books and which were their source.

The next great landmark to which we come, as we travel backward in time from these masterpieces, is the appearance of alphabets. The landmark beyond the alphabets is that one in which ideas and primeval wisdom were expressed in another way, in pictographs and symbols. These ancient symbols preceded the alphabetical systems, as the latter preceded the writing of the great masterpieces of antiquity and as these preceded our present analytical civilization with its confusion of words.

These  three  important  landmarks  are  separated by thousands of years. It is the object of archeosophy to guide the way in this very extensive journey backward, and to analyze these primeval symbols and pictographs. It will attempt to reconstruct methodically the ancient wisdom, which is also, as we shall see later, the most important wisdom. It will riot only reconstruct the ancient world pictures of those remote ages, but it will harmonize their knowledge and their wisdom with the knowledge and wisdom of that great masterpiece, the Zend Avesta of Zarathustra. Its final purpose is to reconstruct values which may serve as a source of knowledge for man today, and which will have practical application in this confused age.

By the study  of  all those sources we may  regain an insight in 

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